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These Cape Breton men and women going about their daily lives against this harsh setting are the centre of MacLeod’s realistic fiction. His world becomes equivalent to Hardy’s Wessex, a remote area delineated with sensitive care and thorough understanding by a master storyteller. His characters are often sombre people who find solace in their deep-rooted traditions.

In the opening scene of MacLeod’s novel No Great Mischief (1999), winner of the Dublin IMPAC Literary Award, Alexander MacDonald, a successful dentist in a southwestern Ontario city, is on his usual Saturday trip to Masters dissertation writers Toronto to visit his eldest brother Calum in his sordid rooming house.

Released from prison for the murder of a French Canadian miner, Calum remembers his entire family history and the history of the clan MacDonald. Like the narrator of “The Boat”, Alexander is an intellectual who abandoned Cape Breton for a successful career in dentistry; he shows the usual regret of the exile.